Hokusai's Fuji. Katsushika Hokusai, Kyoko Wada
Hokusai-s-Fuji.pdf
ISBN: 9780500026557 | 416 pages | 11 Mb
- Hokusai's Fuji
- Katsushika Hokusai, Kyoko Wada
- Page: 416
- Format: pdf, ePub, fb2, mobi
- ISBN: 9780500026557
- Publisher: Thames & Hudson
Free download ebooks in prc format Hokusai's Fuji in English PDF
A wonderfully illustrated exploration of one of Hokusai’s key motifs: Mount Fuji. Katsushika Hokusai’s Thirty-Six Views of Mount Fuji and the three volumes of his subsequent One Hundred Views of Mount Fuji show his fascination with a single motif: Mount Fuji. Hokusai’s near-obsession with Fuji was part of his hankering after artistic immortality. In Buddhist and Daoist tradition, this mountain was thought to hold the secret to eternal life, as one popular interpretation of its name suggests: fu-shi (“not death”). Thirty-Six Views of Mount Fuji was produced from 1830 to 1832, when Hokusai was in his seventies and at the height of his career. Among the prints are three of the artist’s most famous: The Great Wave of Kanagawa; Fine Wind, Clear Morning; and Thunderstorm Beneath the Summit. By the time he created his second great tribute to Mount Fuji, three volumes comprising One Hundred Views of Mount Fuji, he was using the artist names “Gakyo Rojin” (“old man crazy for painting”) and “Manji” (“ten thousand things” or “everything”). Contrasting the mountain’s steadfastness and solidity with the changing world around it, Hokusai depicts Fuji through different seasons, weather conditions, and settings, and in so doing communicates an important message: while life changes, Fuji stands still. Including all illustrations from these two masterful series, Hokusai’s Fuji also features many of Hokusai’s earlier renditions of the mountain, as well as later paintings. In this way, through Mount Fuji, this volume traces a history of Hokusai’s oeuvre.
Hokusai's Fuji (Hardcover)
Contrasting the mountain's steadfastness and solidity with the changing world around it, Hokusai depicts Fuji through different seasons, weather conditions, and
Hokusai. Thirty-six Views of Mount Fuji (Taschen)
Hokusai captures the distinctive landscape and provincial charm of each setting with a vivid palette and exquisite detail. Including the iconic Under the Great
Hokusai's Mount Fuji
Mt. Fuji has long been cherished in Japanese legends, No drama, and religious worship as the supreme, sacred peak that holds the secret of immortality in its
View of Fuji from a Boat at Ushibori from "Thirty-Six
Katsushika Hokusai (Japanese, 1760-1849). View of Fuji from a Boat at Ushibori from "Thirty-Six Views of Fuji," 1834. Woodblock color print, 10 3/8 x 15 1/4
Hokusai's Mount Fuji
Mt. Fuji has long been cherished in Japanese legends, No drama, and religious worship as the supreme, sacred peak that holds the secret of immortality in its
Hokusai: Thirty-Six Views of Mount Fuji
Hokusai's series depicting Mount Fuji is widely considered to be the pinnacle of his career. This beautiful accordion-fold edition comprises the full set of
KATSUSHIKA HOKUSAI Fuji from Gotenyama Bag
KATSUSHIKA HOKUSAI Fuji from Gotenyama Bag Katsushika Hokusai was a Japanese artist, ukiyo-e painter and printmaker. Born in Tokyo, Hokusai is best known as
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Hokusai, Mount Fuji and The Great Wave - Artinside
Apr 10, 2021 —
Taschen Hokusai. Thirty-six Views of Mount Fuji
In this XXL edition, discover Katsushika Hokusai's seminal Thirty-six Views of Mount Fuji, an artifact of art history and masterpiece of woodblock practice.
Hokusai: Thirty-Six Views of Mount Fuji
STAFF RECOMMENDS Hokusai: Thirty-Six Views of Mount Fuji “This volume features beautiful reproductions of the iconic series Thirty-Six Views of Mount Fuji
Hokusai Katsushika, Mount Fuji over a Bank, One Hundred
Hokusai Katsushika, Mount Fuji over a Bank, One Hundred Views of Mount Fuji Original Japanese woodblock print. This print is from the series One Hundred
Hokusai's Fuji (Hardcover)
Contrasting the mountain's steadfastness and solidity with the changing world around it, Hokusai depicts Fuji through different seasons, weather conditions, and
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